Unfortunately, I was not able to find clip of this scene on the web to link to, though if you have it on DVD and give it a review, you'll find that this old-school segment holds up very well on screen. It intercuts excellently with the live-action portions and is very realistic, even if you know the trick.
"Making tiny sets and props was no problem for the ILM model makers. Filming them was. Since many of the shots called for the camera to be trucking along with the action, the mineshaft sets needed to be built large enough to allow sufficient clearance all around. The smallest camera in the ILM inventory was 9-inch width and seemed to be a limiting factor on how small the sets could go. So they ended up using an in-house Nikon after Mike MacKenzie slowed down its motor drive about two-thirds and built a special magazine for it that would hold fifty feet of film, which is four hundred frames of VistaVision. ... By making the Nikon work they essentially cut their scale in half, which meant that rather than building a set that was sixty feet long, they had to build one that was only thirty feet long. That saved them an enormous amount of time and money. It was determined that ten-inch mine cars would be employed for most of the chase sequence."
The mine walls were crafted from heavy aluminum foil, which were then painted and weathered to look like rock. The set was further dressed with miniature lanterns, barrels, buckets and debris to show an active mining operation at work.
It's a great read, so check it out, as well as the pictures below, showing the animation models, the miniature set and the creative camera solution.
|The display in the Indiana Jones and the Adventure of Archeology exhibit.|
|The stop-motion figures. The largest are 10 inches tall.|
|Close-up of the Thugees in the mine cart.|
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